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Tonight’s pieceOld flames1 min

The Reservation

A woman with dark wavy hair in a half-unzipped deep-emerald silk slip dress stands chest-to-chest with a sandy-haired man in an open white dress shirt with an undone black bow tie hanging loose, her hand at his bare throat, his hand at her waist, faces close but not touching, in a dim bedroom with a made bed behind them.
Eight o'clock came and went. Neither of them reached for a coat.

The clasp at the back of her dress had been simple to fasten alone a hundred times, and tonight, with him standing right there, it would not close.

"Let me," he said, already reaching, and she turned her back to the mirror and gave it to him — the dress, the ten minutes they no longer had, the whole evening they'd planned since the reservation went in three weeks ago.

His fingers found the little hook and missed it, found it again. He wasn't hurrying. She watched him not hurry in the glass, and felt something in her chest slow down to match him.

"You're going to make us later than we already are," she said, no heat in it at all.

"I know." He got the clasp on the third try and didn't step back. His hands stayed where they'd landed, warm through the silk, and his mouth found the curve of her shoulder instead of the door.

She let her head tip, just slightly, toward him. In the mirror she could see both of them — his shirt still open at the collar, her lipstick perfect and pointless, the two of them standing still in a room they were supposed to already be leaving.

"The table's at eight," she said, which was not the same as saying they should go.

"They'll give it away." He said it like a fact he was glad of, and turned her, slow, until she was facing him instead of the glass.

Up close he still had the bow tie undone, hanging loose on either side of his open collar, and she found herself reaching for it the way she'd reach for anything half-finished, wanting to set it right and not quite starting.

"We could still make it," she said, hands at his collar, not moving toward the door.

"We could," he agreed, and neither of them moved toward it either, and somewhere past eight o'clock a hostess crossed a name off a list and gave the good table to someone else, and neither of them, for once, minded losing anything at all.

The catalog

Pick one to take to bed.

Every piece is a stand-alone read of about a minute. Each has its own URL — click to open, copy to share. The catalog grows; nothing gets deleted.

The catalog

The publication

Adult fiction, written like it matters.

SparkBang publishes one new short piece every night. We don’t do video or anything streaming. We do prose — short, charged, the kind you’d underline in a book if you owned it on paper.

  1. One piece, every night

    A new story lands at midnight Pacific. Tonight’s is at the top of the page. Last night’s is in the catalog. Yesterday’s, the day before’s, all the way back — they stay there, exactly as written.

    Nightly
  2. Suggestive, not graphic

    We write the second before and the second after. We trust you with the part between them. The pieces are short on purpose, suggestive on purpose, and edited until every sentence earns its place.

    By craft
  3. Yours to share, not to claim

    Every piece has a clean URL. Send it. Quote it with credit. Read it aloud to whoever deserves it. Don’t republish it as yours — the byline matters.

    Open shelf

The reading position

How to read this.

A short publication is a short ritual. These are the seven instructions our editors taped to the wall above the desk. Borrow them.

  1. Find a window.

    Open it if you can. The kind of air that comes through a window is the kind of air this is for.

  2. Turn the overhead off.

    A lamp is correct. So is candlelight. So is your screen, on its lowest setting.

  3. Put your phone face-down.

    No notifications, no scrolling, no proof-of-life for the next minute.

  4. Don’t sip anything yet.

    Save the drink for after. Reading first.

  5. Read it aloud if you’re alone.

    Whisper it if you’re not. Move your mouth either way — these pieces were written to be heard.

  6. Don’t skim.

    Every piece is short on purpose. The pace is the point. The sentences are exactly as long as they need to be.

  7. Sit with it for a minute after.

    Don’t refresh, don’t share, don’t tell anyone yet. Let the last line land before you move.

— The editors